Luca Cristiano's 'Bends' collection showcases the foray into circuit bent photography, a technique that pushes the boundaries of digital image-making. By manipulating the internal circuitry of cameras, Cristiano creates visually striking distortions that challenge our perception of digital imagery. This series explores the intersection of technology and artistic expression, inviting viewers to reconsider the nature of digital photography and embrace the beauty of controlled chaos. Through these circuit bent images, Cristiano offers a unique perspective on the digital medium, encouraging audiences to find art in the unexpected and appreciate the creative potential of technological imperfection.

GRAND TOUR I, 24’ Triptych Limited Edition of 9 and 3AP Signed by the Artist Separate edition runs available in two sizes: • Standard: archival pigment print on glossy metallic Paper Size: 17” x 22” (total size of 3 pieces 51” x 22”) • Large:

GRAND TOUR I, 24’ Triptych
Limited Edition of 9 and 3AP
Signed by the Artist
Separate edition runs available in two sizes:
• Standard:
archival pigment print on glossy metallic Paper Size: 17” x 22” (total size of 3 pieces 51” x 22”)
• Large:
archival pigment print on glossy metallic Paper size: 30” x 40” each (total size of 3 pieces 90” x 40”)

GRAND TOUR II, 24’ Triptych Limited Edition of 9 and 3AP Signed by the Artist Separate edition runs available in two sizes: • Standard: archival pigment print on glossy metallic Paper Size: 17” x 22” (total size of 3 pieces 51” x 22”) • Large

GRAND TOUR II, 24’ Triptych
Limited Edition of 9 and 3AP
Signed by the Artist
Separate edition runs available in two sizes:
• Standard:
archival pigment print on glossy metallic Paper Size: 17” x 22” (total size of 3 pieces 51” x 22”)
• Large:
archival pigment print on glossy metallic Paper size: 30” x 40” each (total size of 3 pieces 90” x 40”)

GRAND TOUR III, 24’ Triptych Limited Edition of 9 and 3AP Signed by the Artist Separate edition runs available in two sizes: • Standard: archival pigment print on glossy metallic Paper Size: 17” x 22” (total size of 3 pieces 51” x 22”) • Larg

GRAND TOUR III, 24’ Triptych
Limited Edition of 9 and 3AP
Signed by the Artist
Separate edition runs available in two sizes:
• Standard:
archival pigment print on glossy metallic Paper Size: 17” x 22” (total size of 3 pieces 51” x 22”)
• Large:
archival pigment print on glossy metallic Paper size: 30” x 40” each (total size of 3 pieces 90” x 40”)

5G CELLULAR SERVICE, ‘25 Limited Edition of 9 and 3AP Signed by the Artist 20”x 24” | “30 x 40” Glitch-Photography | Manipulation of Voltage to Camera CCD sensor | I Instigated the camera to short circuit for the sake of screwing up the senso

5G CELLULAR SERVICE, ‘25

Limited Edition of 9 and 3AP
Signed by the Artist
20”x 24” | “30 x 40”

Glitch-Photography | Manipulation of Voltage to Camera CCD sensor | I Instigated the camera to short circuit for the sake of screwing up the sensors capacity to render “regular” images to create improbable photo, I.e. make it glitch | Archival pigment print

BELLY, ’25 Limited Edition of 9 and 3AP Signed by the Artist 17” x 22” | “30 x 40” Glitch-Photography | A photograph of Cathode-ray TV screen married with “Circuit-bent” exposure of a fragmentary statue of Venus | Archival pigment print

BELLY, ’25

Limited Edition of 9 and 3AP
Signed by the Artist
17” x 22” | “30 x 40”

Glitch-Photography | A photograph of Cathode-ray TV screen married with “Circuit-bent” exposure of a fragmentary statue of Venus | Archival pigment print

CRYPTO BANKER, ‘25 Limited Edition of 9 and 3AP Signed by the Artist 20”x 24” | “30 x 40” Glitch-Photography | “Circuit-bent” photograph of a Jasparware Bust | Archival pigment print “A new circuit-bent photograph of an old Wedgwood bust d

CRYPTO BANKER, ‘25

Limited Edition of 9 and 3AP
Signed by the Artist
20”x 24” | “30 x 40”

Glitch-Photography | “Circuit-bent” photograph of a Jasparware Bust | Archival pigment print

“A new circuit-bent photograph of an old Wedgwood bust depicting a man of rank.”

GIULIA, ‘25 Limited Edition of 9 and 3AP Signed by the Artist 20”x 24” | “30 x 40” Glitch-Photography | “Circuit-bent” Portrait of Ms. A Lying on her side| Archival pigment print

GIULIA, ‘25

Limited Edition of 9 and 3AP
Signed by the Artist
20”x 24” | “30 x 40”

Glitch-Photography | “Circuit-bent” Portrait of Ms. A Lying on her side| Archival pigment print

HITTING THE MARK, ‘25 Limited Edition of 9 and 3AP Signed by the Artist 20”x 24” | “30 x 40” Glitch-Photography | “Circuit-bent” photograph of the Bronze of Teucer at the Art Institute of Chicago | Archival pigment print

HITTING THE MARK, ‘25

Limited Edition of 9 and 3AP
Signed by the Artist
20”x 24” | “30 x 40”

Glitch-Photography | “Circuit-bent” photograph of the Bronze of Teucer at the Art Institute of Chicago | Archival pigment print

SEX PIXEL, ‘25 Limited Edition of 9 and 3AP Signed by the Artist 20”x 24” | “30 x 40” Glitch-Photography | “Circuit-bent” nude portrait of a Ms. A | Archival pigment print

SEX PIXEL, ‘25

Limited Edition of 9 and 3AP
Signed by the Artist
20”x 24” | “30 x 40”

Glitch-Photography | “Circuit-bent” nude portrait of a Ms. A | Archival pigment print

VENUS FOREVER AGLOW, ‘25 Limited Edition of 9 and 3AP Signed by the Artist 17” x 22” | “30 x 40” Glitch-Photography | “Circuit-bent” photograph of an Imerial age “Crouching Venus” Statue from the TORLONIA COLLECTION | Archival pigment print

VENUS FOREVER AGLOW, ‘25

Limited Edition of 9 and 3AP
Signed by the Artist
17” x 22” | “30 x 40”

Glitch-Photography | “Circuit-bent” photograph of an Imerial age “Crouching Venus” Statue from the TORLONIA COLLECTION | Archival pigment print

PISTILS OUT, ’25 Limited Edition of 9 and 3AP Signed by the Artist 17” x 22” | “30 x 40” Glitch-Photography | “Circuit-bent” photograph of a Flower’s Pistils | Archival pigment print “Electric botany is easy on the eyes.”

PISTILS OUT, ’25

Limited Edition of 9 and 3AP
Signed by the Artist
17” x 22” | “30 x 40”

Glitch-Photography | “Circuit-bent” photograph of a Flower’s Pistils | Archival pigment print

“Electric botany is easy on the eyes.”

SPRAY OF ROSES ’25 Limited Edition of 9 and 3AP Signed by the Artist 17” x 22” | “30 x 40” Glitch-Photography | “Circuit-bent” photograph of a Roses | Archival pigment print “This is a circuit bent image of roses from a special camera. It

SPRAY OF ROSES ’25

Limited Edition of 9 and 3AP
Signed by the Artist
17” x 22” | “30 x 40”

Glitch-Photography | “Circuit-bent” photograph of a Roses | Archival pigment print

“This is a circuit bent image of roses from a special camera. It is the most expressive camera I own: it renders the most ordinary things in an improbable way.”

A ROSE FOR EMILY, ’25 Limited Edition of 9 and 3AP Signed by the Artist 17” x 22” | “30 x 40” Glitch-Photography | “Circuit-bent” photograph of a single Rose | Archival pigment print

A ROSE FOR EMILY, ’25

Limited Edition of 9 and 3AP
Signed by the Artist
17” x 22” | “30 x 40”

Glitch-Photography | “Circuit-bent” photograph of a single Rose | Archival pigment print

BENT POSIES I., ’25 Limited Edition of 9 and 3AP Signed by the Artist 17” x 22” | “30 x 40” Glitch-Photography | “Circuit-bent” photograph of tall intermingled flowers in summertime | Archival pigment print

BENT POSIES I., ’25

Limited Edition of 9 and 3AP
Signed by the Artist
17” x 22” | “30 x 40”

Glitch-Photography | “Circuit-bent” photograph of tall intermingled flowers in summertime | Archival pigment print

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